Giovanni Verga was born at Catania, in Sicily, in 1840. His youth was spent in Florence and Milan. He afterwards lived in Catania again, where he had an opportunity of studying those types of the Sicilian peasantry which he introduces so effectively, and with such dramatic suggestion, into many of his stories and sketches. After experiencing grievous family losses he returned to Milan, where he now resides.
In "L'Amante di Gramigna" Verga gives, in the form of a letter to his friend, the novelist, S. Farina, a sort of brief exposition of his literary Creed. Much of the drama is left to the imagination of the reader, who sees through the lines the action hinted at in a word or a phrase. Thus, in the story just mentioned, no definite time-limit is assigned. Months elapse, but only a passing expression gives the clue to it. It is amazing how definite is the idea left in the mind. It gives all the vividness of reality.
"Cavalleria Rusticana," or "Rustic Chivalry," has been known all over the world by its operatic setting by Mascagni. "La Lupa," which is scarcely less strong and vital, has been chosen by another Italian composer, Puccini, as the subject for a two-act opera. These two, as well as "L'amante di Gramigna" and "Jeli il Pastore," illustrate the deeper passions of the Sicilian peasantry. Verga's sardonic humor is shown in "Gli Orfani." How the sordid poverty of the people stands out in the comparison between the sorrow over the dying ass, and the utterly materialistic grief at the loss of the painstaking second wife!
